Class 2: Transitions and Song Structure
http://russellhanson.com/web/OverthrowSoundCEMMI-Transitions-and-Song-Structure.pdf
CEMMI/Artisan’s Asylum
“Overthrow Sound: A first course in electronic music production”
Go over last week’s homework:
1) Make a new beat of your own and have it ready to play for the class either by uploading it to
SoundCloud, uploading it to the DropBox with your name, or having it ready on your own computer.
2) Take a beat out of a song you like and replicate it using a drum machine like the “808” or the “909”
drum kits in Ableton. Please have a way to play the song you are replicating so we can hear the song if
we don’t know it already. YouTube or Spotify links are often an easy way to do this.
3) Make a SoundCloud account, a DJ name, and get a feel for how to upload/browse/share sound files
on SoundCloud. We will be using SoundCloud for the class assignments.
4) Make a melody or two you would like to use as part of a song. Pay attention to the key and tempo
the melody is in. You can have it either as a midi file, or as a wave file recorded through a software
synthesizer, or recorded from a microphone, etc.
Song Structure/Parts of Songs Analysis:
Axwell - Heart Is King (Original Mix)
http://www.youtube.com/watch?v=o1fUnss8Hdc
Rusko - Woo Boost
http://www.youtube.com/watch?v=WtMlB-BEMso
Avicii - Street Dancer (Original Mix) – also lots of white noise “Swoosh” transitions
www.youtube.com/watch?v=IaeNlTy7s4w
Swedish House Mafia - One (Original Mix) – “Gong” transition at 1:49; “Swoosh” transition from
4:02 to 4:14 ended by double clap; multiple micro “swooshes” at 4:50 & pan left to right
http://www.youtube.com/watch?v=dg7XO1zgJHA
Transitions:
The Reverse Cymbal/The Reverse Vocal Swell/The Machine Gun Snare Roll/The “Swoosh”
Transition
http://abletonlife.com/how-to-create-transitions-for-your-songs-in-ableton-live
Ableton Live Tutorial – Making A White Noise Buildup
http://www.synthtopia.com/content/2010/09/15/ableton-live-tutorial-making-a-white-noise-buildup/
Step-by-step how to create the “Swoosh” white noise transition in Ableton:
1) Make a new midi track
2) Insert a midi clip of 5-8 bars and make a single “C3” note that lasts the entire clip (draw mode)
3) Add an Instruments/Analog synth; turn off “Osc1”; turn on “Noise”; change “Color” to ~4.7kHz
4) To make the note sustain: change “Amp1” move envelope line so “Sustain = 1.0, Decay = 500ms-
1000ms, Release = 0ms-250ms”
5) Add Audio Effects/Auto Filter. On the “Fades/Device Chooser” pick “Auto Filter” and below that
on the “Automation Control Chooser” pick “Frequency”
6) Now draw the frequency automation sweep (red line) on the midi clip from 70 Hz at the beginning
to 5-7 kHz at the end
Vocals:
Auto-Tune VST installed to /Library/Audio/Plug-Ins/VST/Auto-Tune_Evo_VST.vst/ (Mac)
http://www.antarestech.com/download/demo.shtml
http://www.antarestech.com/downloads/manuals/ATEvo_manual.pdf
Programming Beats using the Impulse Drum Machine:© Russell Hanson, http://russellhanson.com
Ableton: Creating Beats
http://www.youtube.com/watch?v=9Ff0AcOsH3E
Several more advanced Ableton tutorials:
Secrets to making layered beats in Ableton Sampler Pt 1 of 2
http://www.dailymotion.com/video/xg635z_secrets-to-making-layered-beats-in-ableton-sampler-pt-1-
of-2_music
Secrets to making layered beats in Ableton Sampler Pt 2 of 2
http://www.dailymotion.com/video/xg63hm_secrets-to-making-layered-beats-in-ableton-sampler-pt-2-
of-2_music
Sub Bass Secrets in Native Instruments Massive Pt 1 of 2 — “It’s SUPER Bassic”
http://www.dailymotion.com/video/xgc77s_sub-bass-secrets-in-native-instruments-massive-pt-1-of-
2_school
Sub Bass Secrets in Ableton Sampler Pt 2 of 2
http://www.dailymotion.com/video/xgc7br_sub-bass-secrets-in-ableton-sampler-pt-2-of-2_school
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